Category Archives: Unpacking the collection

Stephen Grebinski, Keyed to Masculine Comfort, 2015

Faced with the excess and diversity (where to start?) of publications in Queering the Collection, currently installed in the ICP Library, I was happy to find (& just by judging a book by its cover) a familiar name: Stephen Grebinski. … Continue reading

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“I am in Paris.”

Following conversations with my colleagues at the ICP Library  about an event related to our current photobook display Je est un autre: The Vernacular in Photobooks, I decided to present selections from a small collection of films stills I accumulated … Continue reading

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Joshua Lutz’s ‘Meadowlands’

“For most people, the Meadowlands is a place to pass through and forget on their way to someplace else. Not unlike a neglected child, the Meadowlands has grown up without guidance, constantly unsure of what the future holds.” – Joshua … Continue reading

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David Douglas Duncan’s “Sunflowers For Van Gogh”

On September 22, select theaters across the United States premiered a groundbreaking, independent film titled “Loving Vincent,” the first ever fully painted feature film. This artistic masterpiece was produced with over 100 painters painstakingly creating each frame onto canvases in … Continue reading

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Mark Seliger: The Music Book

The ICP Library carries over 24,000 volumes within its shelves (and beyond) covering an extensive overview of photography as a practice, historical documentation, fine art and more. Students and patrons enter our doors looking for Capa, Cartier-Bresson, Tillman, Arbus, Davidson, … Continue reading

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What six of them saw. . . part two

“What six of them saw” is a project from 1971 produced by the International fund for Concerned Photography. The original idea of the project was for the young photographers to work on something that they were “into”, some facet of … Continue reading

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Ford Motor Company Report 1959

As a group photograph I think that Cornell Capa’s Ford photograph rivals the famous Coney Island beach spectacular photograph by Weegee the famous (July 1940).  In Capa’s Ford image we see rows and rows of (mainly white) men in crisp … Continue reading

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